By M. Malone
Kaylee Wilhelm is aware what she wishes for Christmas—for Elliott Alexander to note her. regrettably, he doesn’t like her a lot, so she’s spending the vacations together with her disapproving mom and dad.
Elliott’s eventually within the place to return domestic for strong. domestic potential bittersweet thoughts and the one girl who makes him suppose issues he isn’t prepared for.
When Kay’s motor vehicle skids uncontrolled on Christmas Eve, she’s pressured to arrive out to the single guy she trusts to save lots of her. Eli’s a protector, so she is familiar with he’ll come for her, yet this Christmas Kay is hoping for slightly extra.
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Extra info for Christmas with The Alexanders (The Alexanders, Book 3.5)
But the duo at the piano had lost all thought of danger. The PolonaiseFantaisie was no more than a pretext to loose upon the world those forces that shake and explode the structures of order which man has devised to conceal what lies beneath. They sat straight-backed at the piano, leaning away from the keys a little and yet bound to them, as if music itself were driving an invisible team of fiery mythical horses riding the storm that circled the world, and they were bracing their bodies to maintain a firm grip on the reins in this explosive headlong gallop of unshackled energies.
It could not be put into words. qxd 5/18/01 11:06 Page 48 6 A nd yet Konrad had a refuge which was closed to his friend: music. It was like a secret hideout, where the world could not reach him. Henrik was not musical, and was content with Gypsy tunes and Viennese waltzes. Music was not a topic in the academy, it was something regarded by both instructors and cadets as a kind of youthful sin to be tolerated and forgiven. Each man has his weaknesses: one breeds dogs, no matter what the cost, another is obsessed with riding.
Sometimes it was high-spirited, sometimes pompous or solemn. Beyond that, nobody paid any attention. But when Konrad heard music, he turned pale. Every kind of music, even the simplest, struck him like a physical blow. The color left his face, and his lips trembled. Music communicated something to him that the others could never achieve. It seemed that the melodies did not speak to the rational portion of his mind. The discipline he demanded of himself, which he accepted as both punishment and penance, and by means of which he had achieved a certain status in the world, relaxed at such moments, as if his body too were releasing itself from its rigid posture.
Christmas with The Alexanders (The Alexanders, Book 3.5) by M. Malone