By Kathleen Stewart
An area at the aspect of the line vividly conjures up an "other" the United States that survives precariously one of the ruins of the West Virginia coal camps and "hollers." To Kathleen Stewart, this actual "other" exists as an excluded subtext to the yankee narrative of capitalism, modernization, materialism, and democracy. In cities like Amigo, crimson Jacket, Helen, bizarre, Viper, Decoy, and Twilight, women and men "just settin'" music a dense social imaginary via tales of traumas, apparitions, encounters, and eccentricities. Stewart explores how this rhythmic, dramatic, and intricate storytelling imbues daily life within the hills and kinds a cultural poetics. Alternating her personal ruminations on language, tradition, and politics with non-stop money owed of "just talk," Stewart propels us into the depth of this worried, surreal "space at the aspect of the road." it's a area that offers us a glimpse right into a breach in American society itself, the place graveyards of junked autos and lumps of alternative trashed items undergo besides the thoughts that hang-out those that were left at the back of by means of "progress."Like James Agee's portrayal of the poverty-stricken tenant farmers of the melancholy South in allow us to Now compliment well-known males, this e-book makes use of either language and pictures to aid readers stumble upon a fragmented and betrayed group, one "occupied" via schoolteachers, medical professionals, social staff, and different execs representing an "official" the USA. retaining at bay any makes an attempt at definitive, social clinical research, Stewart has concocted a brand new type of ethnographic writing that conveys the immediacy, density, texture, and materiality of the coal camps. an area at the facet of the line eventually bridges the space among anthropology and cultural reports and offers us with a super and tough test in pondering and writing approximately "America."
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Additional info for A Space on the Side of the Road: Cultural Poetics in an "Other" America
Whether or not they leave the community often or discuss the causes of the changes they experience, their greater awareness of their own vulnerability corresponds to the greater ﬂux in their lives. What has most profoundly transformed San Cosme and many other similar communities, however, is not what ﬂows into and out of the community but what underlies it; that is, the ﬂexible accumulation and capital mobility that makes people’s positions very precarious and makes the inﬂuence of external forces more pervasive.
In the next chapter I show how San Cosme changed from a peasant to a proletarian community in the 1950s and 1960s and then became increasingly involved with ﬂexible garment production. I suggest that ﬂexible garment production may be a temporary occurrence but that many of the changes with which it is associated (as we will see in subsequent chapters) are likely to have effects that endure. indb 42 1/31/07 9:17:43 AM CH A PTER 3 From Peasants to Worker-Peasants to Small-Scale Flexible Producers Don Juan Sánchez 1 is a ﬁ fty-ﬁve-year-old campesino and one of the few men in San Cosme who has never been a factory worker.
A group of San Cosmeros/as went to the American Southwest to demonstrate Carnival dancing at a museum. Recipes from San Cosme’s kitchens appear in a collection of regional recipes published by the Museum of Popular Arts and Traditions in Tlaxcala. In today’s world, people and things move with unprecedented velocity, and even within relatively stable communities “the warp of these stabilities is everywhere shot through with the woof of human motion” (Appadurai 1990, 7). Even those who rarely leave the community have children, grandchildren, and other relatives living elsewhere in Mexico or in the United States with whom they speak by telephone and from whom they receive remittances.
A Space on the Side of the Road: Cultural Poetics in an "Other" America by Kathleen Stewart