By Jim Thompson
Younger, attractive, and fearfully abused, Mona was once the type of lady even a difficult guy like Dillon couldn't deliver himself to exploit. but if Mona advised him concerning the vicious aunt who had became her into whatever little greater than a prostitute--and in regards to the cash the outdated woman has stashed away--Dillon stumbled on it strangely effortless to kill for her.
First released in 1954
A Hell of a Woman is Jim Thompson's homegrown model of Crime and Punishment. it's a novel completely without sentiment, the place a assassin is going approximately his lethal enterprise and not using a prayer of redemption.
A masterpiece of inexpensive lives, small-town desperation, and absent morals. the previous couple of pages, within which the protagonist has a psychological breakdown, is written in alternating strains of conflicting recognition: its one of the so much evocative, scary, and gorgeous prose I've learn. The protagonist, a sleazy door-to-door salesman, is the epitome of the Thompson archetype: he fears betrayal simply because he, himself, has no loyalties, and sees no justification for them; his over-confidence is equaled in basic terms through his paranoia; and his failure to get a grip on his lifestyles is, eventually, a human tragedy all too universal and one during which we needs to empathize with. between Thompson's most sensible works.
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Additional resources for A Hell of a Woman
Apart from such orientalist fantasies, there were also a large number of anti-Semitic diatribes aimed at that old scapegoat, the Jew. 40 history of serial murder As early as 1886, the Pall Mall Gazette, a popular London newspaper, was referring to “a Judenhetz brewing in East London” and warning its readers that “the foreign Jews of no nationality whatever are becoming a pest and a menace to the poor native born East Ender” (quoted in Fishman 144). 11 When the Ripper murders began in 1888, the belief that the murderer could not be English licensed open expressions of anti-Semitism and exacerbated racial tensions in the heavily Jewish area of Whitechapel.
Harris 54). Perhaps sensing that the reputation of the medical profession had already been damaged by reports that the murderer possessed some anatomical knowledge, within days the prominent British medical journal the Lancet attacked Baxter’s theory, dismissing it as absurd. The press, however, did not dismiss the story out of hand, perhaps because of their dim view of doctors, but also because the story of an unscrupulous, acquisitive American resonated with the British public. 12 The letter created a sensation not only because the phantom murderer now had a self-appointed name (assuming that the letter was actually written by the killer), but also because what the London Times described as the “brutal character” of the letter’s language was “full of Americanisms” (such as “Dear Boss,” “ﬁx me,” and “shant quit”).
What was the response of the American press to these accusations? Curiously, there were very few denunciations of the idea that the Ripper could be an American. S. newspapers often redirected the focus of discussion and implied American superiority over the British by emphasizing the awfulness of the murders and the wretchedness of the environment in which they were taking place. For example, the New York Times coverage frequently abused the British police, calling them “the stupidest detectives in the civilized world” (“News” 1) and criticizing them for “devot[ing] their entire energies to preventing the press from getting at the facts” (“Dismay” 1).
A Hell of a Woman by Jim Thompson